Representation of Polyamory and Anger in Carmen Maria Machado’s In the Dream House
“I just – I think I’ve always been polyamorous, and it makes so much sense. I want to be with both of you. I want to make this work. Is that crazy?” (39) I read Carmen Maria Machado’s In the Dream House as part of a graduate course on queer of color critique. The experimental memoir has found quite a huge following and rightly so, given the ways in which the author places herself within a complex assemblage of queer histories and narratives, their slippages and (mis)readings. This was the first time that I came across a memoir that drew so heavily from familiar queer tropes and theories of knowledge. In short, it blew me away. However, as I kept reading reviews that unanimously appreciated the generic interventions, I realized that nobody was talking about aspects of the book that left me somewhat disappointed – its representation of polyamory and anger. Early in the memoir, I almost wanted to believe Machado’s partner even though I was aware that she is likely to be portrayed as m